Even though the hearts of consumers were won away by other forms of storage media, the shiny vinyl records that once stored our favorite tunes aren’t ready for the junk heap of history. Artists are still finding creative ways to honor the role of vinyl records in a past generation’s love of music — by using vinyl records to make art!
For Brooklyn artist Greg Frederick, it started when he found an abandoned box of records left on the street. For the six years since he’s been making portraits of icons from the music industry using what gadget site Digital Trends calls “an intricate tapestry of vinyl record pieces.” David Bowie, Bob Marley, Prince, and Amy Winehouse are now preserved forever in vinyl encased in resin.
He’s managed to turn it all into a business called Vinyl Pop Art.
“I’ve been a lover of vinyl since I was 10,” he told Digital Trends in a video interview. “I inherited my grandmother’s turntable, and then in high school, I was working in record stores. I’ve always been around vinyl.”
Maybe it was inevitable he’d develop a certain reverence for this particular music media.
“I never buy a new record just to break it,” he told Digital Trends. When he needed more, he started trolling eBay for more vinyl records. And now local record stores offer donations to him from their “dollar bins.” He estimates that he has 3,000 vinyl records now tucked away in his closet.
It took a few experiments to develop his mixed-media style. First, he’d tried adding vinyl to photographs. Then he did the same thing — but without the photographs. He insists on only using “discarded, unplayable” records, according to Digital Trends.
And piece by piece, they become affectionate portraits of Jerry Garcia, Jimi Hendrix, Michael Jackson, and all the other gone-too-soon icons from the world of popular music.
He’s done portraits of living artists too. There’s Mick Jagger, Tom Petty, and even the Beastie Boys and The Village People. Soon they all found a new home in vinyl. And there’s something especially poignant about his portrait of a moment in time with the Rat Pack:
Earlier this month, Frederick also announced “BIG NEWS!” on his Twitter feed. “I’m pulling a Beyonce! I’ve been secretly working hard on a brand new series of art and am showing it.” The secret? He’s now also working with cassette tapes — using them to create plastic “canvases” on which to paste bits of vinyl records. But even the cassettes are lovingly preserved in a layer of transparent resin. (Frederick tells the site that meticulously eliminating the air bubbles for each layer of resin in his artworks requires a full day, so each completed piece takes “a good week.”)
And he estimated it took at least 40 hours to put together his collage of Michael Jackson, using shiny CDs for Michael’s famous glove. He also used a few CDs for an elaborate image of Cyndi Lauper.
Those aren’t the only material he uses. Frederick once made a work of art that incorporated yellowed 98-year-old copies of the Wall Street Journal from 1919. He mounted them to two doors, then used that as a yellow canvas to create a stunning portrait of the statue of liberty — out of bits of black vinyl records.
Sometimes customers will even commission portraits of people in the music industry to give to them as unique gifts. Twice he’s been commissioned to create likenesses of deejays, and once he was even commissioned to create a likeness of Stevie Nicks.
“You could have the opportunity to turn a loved one or your favorite icon into an original masterpiece,” explained his website.
Frederick’s work has him keeping some interesting company.
His website notes he’s been exhibited next to Andy Warhol at the Leslie Lohman Museum. His vinyl-record-and-cassettes portrait of Jay Z now hangs at the World Trade Gallery by the World Trade Center. In 2015 he made headlines in the New York Daily News — for his claim that Courtney Love used his artwork for tour merchandise — then failed to pay him.
Frederick is not the only one repurposing vinyl records as art. In 2015 the mayor of Davis, California celebrated the unveiling of a two-story art sculpture of a dog — decorated with vinyl records donated by the surrounding community. The dog giant apparently took the place of a colorful (but smaller) pyramid — which was also decorated with vinyl records. And prior to that, an 18-foot sculpture of a figure the artist named “Stan the Submerging Man.”
And U.K. artist Keith Haynes is also paying tribute to vinyl records. He told one interviewer it was record sleeve art that inspired him to go to art school and describes his work as “pop art created from pop material.” But he went from creating portraits of recording artists — using their very own records — to creating maps. Specifically, subway maps, where each vinyl record represents a stop. And some of the installations even come with a set of headphones so you can listen to tracks from each record.
It’s touching to see these artists remembering what the musical magic of records had meant to the generations that came before. The Digital Trends video ends with a perfect quip from reporter, Keith Nelson Jr.
“Even when the music stops, the art doesn’t have to.”
- Researchers teach drones to fly better by crashing them 11,500 times (Digital Trends).
- Columnist complains robots aren’t destroying enough jobs (Wall Street Journal).
- How the media hounded that accidental hero who found a the killswitch for Friday’s ransomware attack (Network World).
- Lowe’s hardware stores tries fitting its workers with exoskeletons (The Verge).
- A VC and a science fiction writer discuss where their work intersects (Venture Beat).
- Why Richard Stallman doesn’t like Linux distros with proprietary drivers (Twitter).
Feature image: Beastie Boys, by Greg Frederick.